Tuesday 18 September 2012

The Girl Who Saved The World

It's the 18th of September already, and you know what that means? That's right, NaNoWriMo s just around the corner!

(For the uninitiated, National Novel Writing Month is a challenge to write a novel, with a minimum of 50,000 words, in the month of November.)

It's definitely time to start preparation! I did intense planning for my first NaNo in 2010 and found that the challenge was really manageable. The next year I didn't even decide what to write about until 31 October, muddled around for two weeks then madly dashed to get the 50,000 words out. There's potential in it, and some passages I really like, and a completely spontaneous 1000 word diary excerpt that was the product of a word sprint which I absolutely love, but I'll be going the planning route this time. Partly because I'm going to try to write a children's book rather than a YA.

Now, I mainly only read (and consequently write) YA, so this is really upping the challenge this year. But I've been inspired.

I recently went to an interview and book reading with John Boyne of The Boy in the Striped Pyjamas fame, and he said a lot of inspirational things. Not least of which was 'I don't think young readers are as interested in vampires as publishers seem to think they are'. Amen to that! Particularly if they are vampires of the Twilight variety. More importantly, I was inspired to:

A) Continue with my current work in progress, One Last Day.

and 

B) Attempt to write a children's book.

The title, The Girl Who Saved the World, came first. It was a title that had been floating around in the back of my mind since March - I just didn't have an appropriate project to affix it to at the time. But it would suit this project nicely, particularly as I didn't have characters, a setting, or a plot yet. 

I've always been somewhat sceptical of authors who describe characters and ideas just coming to them. JK Rowling, for instance, says that the character of Harry Potter came to her fully formed while she was on a train. As it turns out, that was sort of what happened with my main character. Only I wasn't on a train. 

Meet Aiofe (whose name I just realised now I have spelt wrong) (please excuse my inability to draw hands):


Yep. She pretty much strolled into my head looking like that and said that. 

Here's what else I know about Aiofe:

- She's nine years old.
- She lives in a small rural community. 
- She has a younger sister. 
- Her dad wears an apron.
- She loves dress ups and make-believe. 
- Her family doesn't have a TV.
- She dreams big. 
- There's an old lady who lives nearby who she visits often. 

Before I start any plot planning I think I'm going to draw the rest of the main players (as I learn who they all are). I think it would also be cool to draw some random pictures of Aiofe in different situations then have the challenge of working them into the story somehow. Suggestions welcome! 

Another NaNo planning task I have set myself is to read some children's novels before NaNo begins so I can get a handle on how different authors deal with the genre. Otherwise I'll write in my normal novel voice, and end up with a YA story about a nine year old doing nine year old things and it will just be a mess. The list thus far:

- Moon over Manifest, by Clare Vanderpool.
- The Terrible Thing That Happened To Barnaby Brocket, by John Boyne.

I reckon I can squeeze three more in there. Suggestions welcome! 

And on a final note, anyone who writes or would like to try writing should think about doing NaNo, because it is really fun and if you go to meet ups you get stickers!




Monday 10 September 2012

You Are The First Book That's Ever Been Mine


'What was the first book that you considered yours?'

This question, posed by my supervisor, gave me pause for thought and I couldn't really come up with an answer. I had plenty of favourite books growing up – The Baby-Sitters' Club, Narnia, The Day After Forever, and Make Way for Ducklings to name a few. But a book that was mine? None of these fit the bill. I had to share these with other people. They were either wildly popular, or family favourites. They seemed too universal to ever really belong to one person.

I settled on Gordon Korman's book, I Want to go Home, as my answer, but didn't have any reasoning for it. Now, having had three years to think about it, I can properly answer the question.

You probably haven't heard of it. Let me introduce you. This is my copy of the book:



It's looking a little worse for wear now. It was pretty rugged when I bought it, and it's gotten worse since. At some point I made a pretty poor attempt to fix it up a bit.



Not very tidy, but it's in one piece now instead of three.

So why is this book mine?

To start with, I bought this book myself. I'm pretty sure it was the first time I spent my own money on a book. My parents weren't even there when I bought it. I got it from a gala at my school in Westport when I would have been about six or seven. It cost fifty cents. I picked it up because it was an Apple paperback, and so were the BSC books – so I figured it had to be a good read.

It's also mine because I don't know anybody else who's read it. It came out in 1981 so it was already over a decade old when I picked it up. Logically I know that somebody must have had to have read this very copy before I did, but I've never seen the book anywhere else.

And then there's the content. Oh, the content! I love this book. Here's the rundown: rugged scallywag Rudy Miller is sent away to summer camp. He hates it (fair call – there's far too many sports there!) and together with his new friend Mike sets out to escape, driving their cabin counsellor Chip completely bonkers as they do so. Rudy's wonderfully sarcastic, always knows what to say, and is never ruffled at all.

There's a few references in there that I never got when I read the book as a child. Camp Algonkian Island is often referred to as Alcatraz by Rudy. That went completely over my head. Rudy calls the counsellors clones, as they all look the same. I didn't know what clones were when I first read the book, and the references are pretty heavy. No matter. I also didn't realise that the camp was in Canada (I assumed it was in the USA as the baby-sitters are) but there are references to the Queen, Toronto, and Ontario. And as for Bobby Fischer, Pele, and Henry Rono? No clue.

When I read the book again this week I noticed a few sayings in it that I've picked up unconsciously, and either use frequently or think frequently. And by 'think' I mean 'go over situations in my head and imagine I'm saying what I wish I had the guts to say at the time'. Let's have a look. Here, Rudy is trying to (and succeeding at) getting out of camp activities:

“It's a shame I'll have to miss that.”
“Why?” asked the counsellor.
“I don't run,” Rudy explained.
“He doesn't do anything!” exclaimed Harold Greene.
“Exactly,” Rudy agreed.
“How do you do that?” Mike whispered. “How do you get out of doing all those crummy camp things?”
“It's very simple. You just don't go.” (15)

It's very simple. You just don't go. How often I've wanted to use that phrase – or some variation of it! I adore Rudy's skill of brazenly getting out of things he doesn't want to do, and his blatent explanation for it. How wonderful it would be to not do things because you don't want to, and not have to give any excuse for it!

Later, Rudy has once again raised Chip's ire.

“You're going to mail that?” cried Chip. “You can't send that! I'll kill you!”
“Threats of violence,” said Rudy, making notes. (25)

I've definitely used this one when I've heard people jokingly remark 'I'm going to kill you'. Actually, the guy who sits next to me at work likes to ask me if I'd like to see a magic trick. And by this, for those of you who are not Batman fans, he mean he wants me to impale myself on a pencil. Next time he makes such comments I'd love to calmly remark 'threats of violence', while making a note of it on my awesome typewriter-shaped post-it notes.

“I think it stinks,” piped up Harold Greene.
“That's because you have no soul,” explained Rudy pleasantly. (40)

I definitely use this one far too often. Basically whenever it's at all applicable. And for any one of you who thinks I use it too often or use it when it's inappropriate, I have one thing to say: That's because you have no soul. :)

And now, for a quick tour through some of my favourite parts of the book, to see if I can explain why I love it so much, and why I think of this book as mine.

“Of course,” said Chip. “Early to bed, early to rise.”
“Yes, said Rudy. “Makes a an healthy, wealthy and dead. I'm going to get a few more hours sleep.” (p.13)

Ooh, snap! I totally relate to this. I hate going to bed early. I hate getting up early. Basically I just hate early. I'm never early for anything, least of all waking up in the morning. And this phrase enables me. I could DIE if I get up early and go to bed early. So, if it's alright with you, I'd rather not do it.

“Good morning, boys,” he greeted the assembly. “It gives me great pleasure to welcome you to Algonkian.”
“It would give me great pleasure to go home,” mumbled Rudy.
Mike snorted loudly into the silence.
“Webster!” (16-17)

Mr Warden regularly gives speeches to the camp. Rudy makes snide remarks throughout, cracking Mike up while he himself remains stonefaced. My sense of humour is as dry as Rudy's. I can imagine us both standing there listening to the asinine speeches and alternately coming up with sarcastic yet hilarious remarks.

Rudy writes a letter home to his parents from camp. Well, he tries to. For some reason Chip doesn't let him send it. Censorship, I tell you!

Dear Mom and Dad. This place is terrible. Each day I am subjected to countless atrocities. The food is spoiled and poisonous, and the drinking water is contaminted so there is an outbreak of typhoid. Our cabin collapsed last night in a typhoon, but don't worry. Only one guy got killed.
It's not all bad. I do have one friend, named Mike. He's he one that pulled me out of the quicksand. I have to haul garbage every day, but there aren't too many wild animals at the dump and I've only been bitten twice.
Mr. Warden, the director, is very nice, and he has a real social conscience. He hires only desperate criminals as counsellors. Our bunk counsellor, whose name is Chip, is a reformed axe-murderer on parole. He has red eyes and yells a lot and keeps an axe under his mattress.
Tonight is really going to be fun. Our cabin hasn't been fixed yet, so we get to sleep in trees. I sure hope the typhoon doesn't start up again.
I'll be safe and sound so long as Algonkian Island doesn't sink any further.
Your son,
Rudy
P.S. If this letter looks messy it's because I'm writing it while being chased by a bear. (24)

Be still my beating heart! The understated horror, the false cheer, the flippant afterthought. The sheer nerve at even trying to send the letter.

Chip was dumbfounded. They had actually done it. They had actually built a salate. He lifted the lid and looked inside. Dirt. It looked like dirt. Some topsoil, some clay, a few stones and the odd bit of grass. Dirt. He ran his fingers through it. Dirt. This couldn't be a salate. He had looked it up this morning in the dictionary and had been unable to find it, but whatever it was, this couldn't be it. (39)

“Strange isn't the word I'd use for Miller,” growled Chip. “Crazy would be more like it.” He banged his fist on the table. “I don't like being lied to! They said they were building a salate, and this is is what they hand me!”
Pierre laughed out loud. “And that's exactly what you got – a salate.” He stoppped to catch his breath. “It's French, Chip. It means dirt!” (44)

There are many examples in children's literature of children triumphing over adults, of outsmarting them. This is a great instance of it. Rudy and Mike have been trying to make a dam so the camp will flood and everyone will be sent home. They've skipped cabin sports to do so and told Chip they've been at arts and crafts making a salete. He demands to see it, thrilled that he's going to catch them out. BUT IS HE? Dum dum dum. Nope! He's foiled, once again.

“Well, here's something you may not know,” said Frank. “This morning you're playing baseball and soccer, and before lunch you're going swimming.”
“I don't play baseball or soccer,” said Rudy calmly, “and I don't swim. Lunch we can negotiate.” (63)

The counsellors have banded together and decided that come hell or high water Rudy is going to play sports. He's determined right up to the bitter end, and he calls the shots. [Spoiler alert: He does end up playing sports, but presents it as if it's been his decision, which I'm sure it has. It is Rudy, after all.]

“Now, if I may continue – all punishment is hereby revoked. One of the counsellors will take out the garbage. Let's pick a number at random – uh, say, thirteen.”
“Miller, you stop that!” shouted Chip, springing to his feet. (117)

“I know,” announced Chip. “We'll get Miller to pick a number at random – uh, say, thirteen.” (140)

Rudy is tricked (or so the counsellors think) into playing a game of chess on which certain conditions are wagered. When he wins he is granted the chance to be Camp Director for a day. He sets about punishing Chip, setting him unpleasant tasks to do. He pretends to be choosing him randomly by picking a number, but strangely enough he always seems to pick number 13. Chip tries to take advantage of it later on when the counsellors are arguing about who gets to go on a trip, suggesting they get Rudy to pick a number at random. That's right, Chip, you're playing right into his hands just the way he wants you to!

Here, Rudy hilariously explains what is going to happen on the day he is in charge.

“The 'no activities' rule, of course, applies to campers only. I have noticed that the counsellors are in terrible physical condition. Accordingly, the counsellors' relay races will begin shortly after breakfast. This will be followed by the counsellors' obstacle course, the counsellors' shotput, the counsellors' swimming race, the counsellors' discus throw, the counsellors' ten-kilometre run, the counsellors' soccer game, field hockey game, baseball game, high jump and, if there is time, the counsellors' lunch.” (117)

He's pushing the boundaries here, seeing how far he can go. He goes pretty far and I love him for it.

“All right,” said Chip, smiling broadly. “I'm Chip.”
“And I'm Jane,” replied a counsellor from Silver Lake.
“And I'm Tarzan,” murmered Rudy.
Mike snickered.
“Quit that, Webster!” snapped Chip. “Now, one by one, let's hear your names.”
“Joey.”
“Adam.”
“Mary.”
“Grace.”
“Mike.”
“Zeke.”
Miller!” yelled Chip. “Don't fool around!” ...
“Okay,” said Jane when they had finished, “let's see who remembers all the names. How about you, Rudy?”
Rudy blinked twice nd began to recite with computer accuracy: “Joey, Adam, Mary, Grace, Mike, myself, Barbara, Harold Greene, Brian, Jane ...” He pused and stared at Chip in perplexity. “What was your nae again?”
“Chip! Chip!”
“So much for bird calls,” said Rudy. “What's your name?” (152-153)

Oh, how this amused me to no end when I first read it. Snarky Rudy at his best, AND he's showing Chip up in front of the girl he likes. Well played, sir, well played.

“I'll sweep out the bunk,” offered Adam
“I'll pick up litter in the compound,” said Joey.
“I'll help clean the mess hall.”
“I can help Joey with the litter.”
“I'll wash the mess hall windows.”
“I'll supervise the entire operation,” offered Rudy. (167)

I hate cleaning. I'm totally on bord with Rudy here. I would want to supervise too. He ends up scrubbing the floors though, much to Chip's delight, which brings us to this realisation point:

Rudy stood up and folded his arms. “Gentlemen, Mike and I don't like the working conditions here. We” – he pulled Mike to his feet – “are on strike.”
“Yeah,” squeaked Mike.
Pierre started to laugh. “You've got a big mouth, Frank, and a big foot to fit in it. You too, Chip.”
“Miller –“ said Chip warningly.
“We're on strike,” Rudy repeated. “We've got to get over to arts and crafts to paint some signs so we can picket.”
“Arts and crafts is all cleaned up and closed for tomorrow,” said Pierre, “but I'd b happy to open it up for you.”
“Hey, whose side are you on?” snapped Chip.
“That's quite obvious,” said Pierre. “Now – this is how you handle a situation like this. Miller, Webster, be good joes and finish the floor.”
“Gee, we'd like to,” said Rudy, “but it's against union regulations.”
“I'll give him union regulations!” hollered Chip, shaking a big fist.
“Tell you what I'll do,” said Pierre. “We're working under a tight deadline here, so I'll double your salaries.”
“Oh, well,” said Rudy, “in that case the strike is settled.” He and Mike dropped down to their hands and knees and continued scrubbing.
Chip was dumbfounded. “Boy, is Miller ever stupid!” he whispered. “He doesn't get a salary!”
Pierre shook his head resignedly. “The problem isn't Miller.” (168-169)

At least, I think this is supposed to be a realisation moment. I don't really get it though. Rudy cracks me up, as he normally does, and I love how Pierre is firmly on his side. (Or in his camp, get it? Because they're at camp.) But I don't understand the last line. The problem isn't Miller? As much as I love Rudy and enjoy reading him, and love seeing Chip get his, if this were a real world sitution I'd be completely on Chip's side. Rudy's run away about ten times by now, caused a whole lot of trouble no matter how polite he is, and refuses to participate in anything. I'd be pulling my hair out too.

But then, that's the world of fiction isn't it? It's a place where we can explore different sides of ourselves without it having a negative impact on our real world existence. Perhaps there is a part of me who loves this rule breaking and trouble causing, when it's done so delightfully. Perhaps this is part of what makes this book 'mine'.

P.S. Bonus points for getting the Taylor Swift reference.
P.P.S. All references from Gordon Korman's I Want to Go Home (Scholastic, 1981)

Tuesday 4 September 2012

Writer to Writer


I did an author interview with Alison, whose book I shared in my last post. Read on for more! 

(Also, stay tuned for my next blog. About three years ago my thesis supervisor asked me what the first book I read was that I considered 'mine'. I finally have an answer! And I'm writing about it! But I've gone back to read it as part of my response and since I have a shedload of work to do at the moment it's taking a few days.)
-------------------------------------------------------------------------------------------------------------------------------------------------------------------

Morning Bel, 
Thank's for having me on your blog! 

When and why did you begin writing? 
This is a question I wish I had a good answer to! I don't remember the first thing I wrote or why I started writing, just that I nearly always have been. I think the why comes from having stories to tell. Partly I began writing because I read so much - I probably get it from my mother, she'd been referred to on more than one occasion as a veracious reader! *laughs* As for the when,  the earliest book I can remember writing was when I was aged 12. I wrote about a boy called Rivulaun who could travel between portals into a magical kingdom, something I haven't attempted since. I tend to stick with Y.A. now.

What books or authors have most influenced you?
I always say I've been influenced by Tolkien, I love the trilogy and have read it multiple times since age 11 as well as the books that go with the story. Use of description came from there. However I'm influence by everything I read good or bad, I think it's just on a subtle level. I've recently been reading more fantasy/mystery stuff as well as high school drama based stuff, I'm working on including realistic dialogue so I find looking at how others write it helps.

Tell us a little about your writing process - how do your ideas begin, how do you plan, and how do you write?  
I don't think there is a set way I write but as a general formula for novels... Dream, Jot, Debate, Give in, Write. Rewrite. Edit. 
A lot of my novels start from dreams which I think is pretty common or alternatively I tend to get an idea from someone I see or conversation I've overheard. So watch out around me or you'll be in one of my books somewhere! *laughs*
As for planning I tend to jot ideas down as I write. With Ari's Story I didn't plan as such just wrote and as I wrote jotted possible endings down. With the companion novel Hanging from the Family Tree: Tobias' Story I had to plan so their timelines matched up and I think a lot of credit goes to the planning stage, it can really help align ideas.


Do you have a favourite place to write? What’s your set-up like? 
A favourite place to write... I have a writer's cabin, but it is TINY! *laughs* I mean even for me, and I'm pretty small. I love writing there though and I do any pen and paper writing I have there as I can really focus and remove the distractions from around me.  I have a red-carpeted platform and a small desk tidy and a beanbag that I write on there or I set out a blanket outside or an old blue chair from the 50's that was my grandmother's. Depending on how relaxed the scene is I sit in the appropriate place. A bit odd but it works! That and Tea, I drink endless tea when I write. 

Do you have a favourite genre to write in? If so, what about it appeals to you?
Young Adult is my favourite style to write in and under that I like to write romance. Although more and more I like to write small or big- in the case of Whispers on the Wind: Ari's Story- mystery plots as well.
I am currently working on the ending to a more supernatural and fantasy based novel; although I am trying to keep it all fairly plausible in terms of the world the characters inhabit because I like for the concept to make the reader think this could happen- this could be real, but I guess time will tell on that one!

Likewise, do you prefer any specific type of writing? Novels, poetry, shopping lists, etc? When I write I find it’s a case of the longer the better - I understand how novels work, can’t really write short stories, have written some atrocious teen angst poetry in my time, and never bother writing shopping lists. (Whenever I do I either lose it or don’t remember to put everything on it anyway.)
I love to write novels, I know exactly what you mean about knowing how to write them and the formula to use. I've not tried much to write short stories because I feel I'd only end up dragging it out to a novel anyway to fit it all in! As for poetry *laughs* haven't we all. I do still write some though and I am compiling two anthologies at the moment, one with the unusual theme of martial arts, so fingers crossed that goes well.
Shopping list get written and lost with alarming regularity now I just try to memorise them and save the hassle!

What is it that you love about writing?  
It's the chance to create something you love that you can share with the world and put out there and declare 'This is mine to share with you. Enjoy it!!!' Some people use pen and paper, others computers, some paint, some sculpt, others dance. Ultimately it's all to get a message or story out there and for the love of the art. 


Thank you for having me on your blog, Bel. It's been great. 
I'd like to add a huge thank you to anyone who has bought the book and read it I really hope you enjoy the story. Thank you for your support, the encouragement I've received has been amazing. If you have any questions about the book or the process of editing then feel free to visit my Q&A page and I'll do my best to answer them.

Monday 3 September 2012

Whispers on the Wind: Ari's Story

Good morning, blog world. Or good evening, afternoon - whatever it is wherever you are whenever you happen to be reading this. Maybe I should have just said 'hi'. Anyway, it's Monday morning here, and I get to do something exciting to kickstart the week - I get to introduce you to a book that has just come out!

Here is the cover:



I know you shouldn't judge a book by its cover, but I do, and this one intrigues me. I'm a sucker for old stuff, and the wax seal has sucked me right in. I want to break it and open the envelope - uh, turn the cover - and read the letter - uh, book. Having broken the seal, I'll hear the story Ari has to tell. It must be something important if it's been sealed so delicately. Come to think of it, what if her letter hasn't been addressed to me? What if I've just found it somehow, or if it's been delivered to the wrong address. It's not for me. Should I open it? What secrets lie within?

That's what goes through my head when I look at the cover. 

Here is the synopsis:

Whispers on the Wind : Ari’s Story, is a Young Adult fiction novel, set against the stunning backdrop of a fictional English coastal town, deals with new environments, finding your place, falling in love, and the fascination we all have with where we came from and the history surrounding us.

Hidden letters from 1812, the British Regency, tell the story of Alexander Ventus, member of a very rich and influential local family. Besotted with a local woman, Elizabeth, who is deemed beneath him, he is forced into a marriage with another woman. Distraught, she throws herself from a cliff. Followed years later by Alexander, burdened by his guilt.

Arianna takes a job at the local library where she begins to fall in love and become embraced in the community. Arianna does her best to uncover their stories, only to discover that history is repeating itself, every male descendant of Alexander has died on that cliff top and now a new set of letters have appeared with the same seal and the same warning signs.

Haunted by the echoes of the past, Arianna finds love, sees death and saves one man from repeating his ancestor’s mistakes after she takes it upon herself to catch him when he falls.


Here's a preview of the book - Alison has a wonderful reading voice! I'm going to buy the book, but I wish there was an audio version of it too. (Hint, hint, Alison! :p )


Maybe I will be clever one day and make a writerly video too.

For those of you too lazy to click the button and watch the video, or those of you who don't like being read to, 

Here is an excerpt:

I stood in the cavern and looked about with a candle. I'd only been down in the hidden grotto a few times an hadn't ever ventured beyond the first pillar. Even now I still didn't go any further than that. There was no need; so many hidden treasures were right by the steps. I set the candle in the closest corner as always, and within its range I scanned the treasures. There were tiny figurines carved from wood set in some of the alcoves. They become mere silhouettes right on the edge of the pool of light cast by the flickering flame. Some small tin toy cars from the 1950's were stationed into traffic queues, with a fire engine parked up by the pillar and a small police officer with his hand held up to the nonexistent drivers. There were more relics in the 'garden' above, some magazines from the 1970's rotting in a corner, next to the bench. Even older relics were scattered about too, hair ribbons, earrings and even a photograph of a wedding from the early 1900's On the back of it someone had penned a note:
My darling husband, 
You were mine for one short hour before you were taken to the battlefields. 
I waited. I wrote to you. For so long I waited to hear from you, a note, or a letter. Then I waited for a telegram. For the news you were not returning to me. Then I just waited. 
My family moved away. I stayed and waited for news. But it never came. Without you the world is grey, my heart is still, and day blurs into night. I feel as if I am Lot's wife - with all the tears I have cried I shall surely turn to salt. 
You never returned to me my love and so I shall come searching for you. 
The handwriting had deteriorated gradually throughout the note and the ink was smudged, tears had stained the words. I had placed it on a ledge of a rocky alcove last time I was down in the cavern to stop the damp ruining it too much; but now I reached out and slipped the picture into my bag as the candle light began to dim and the flame died. 


Here is the lovely author, Alison, herself:
Alison has been writing from an early age, stories, poems, novels, prose. After a three year sabbatical from writing she returned to her passion to write Whispers on the Wind: Ari's Story. Her first novel, Whispers on the Wind: Ari's Story was published in August 2012 on Lulu.com. Hanging from the Family Tree: Tobias' Story, a companion/sequel to Whispers on the Wind, will follow soon.
And here are the important links you need to know about!



.